by Kyle Olson          
              In an effort to fulfill some bizarre
              need in my life, I purchase a lot of CDs, both old and new. They
              are obsessively cataloged and organized and poured over track by
              track (Seriously, it's obsessive. It involves post-it notes and
              code and excel spreadsheets). It is truly a labor of love (and
              an unhealthy psychological imperative). But, since I am consuming
              so much music, I thought I could use this constant influx for the
              powers of good. Should I come across anything worth sharing (either
              a new release or an old favorite), I will share them with you.
              So you'll love me.
                    
               Chain and the Gang
                  — Down with Liberty...Up with Chains! (K)  
                Somewhere, in a dark basement laboratory, a team of scientists
                is doing unspeakable experiments with the DNA of Calvin Johnson,
                Lou Reed, and a team of fiery Baptist preachers. This experiment,
                an affront to God himself, has boiled down Calvin Johnson's DIY
                lefty leanings and basement stomp, Lou Reed's legendary cool
                and perfect backroom rock and roll, and mixed them all up with
                the suit-wearing, sweaty energy of Baptist churches in the south.
                The product of these sinful scientific dealings is the debut
                album by Chain and the Gang, the newest project of ex-Nation
                of Ulysses/Make Up frontman Ian Svenonius, who has taken a break
                from hosting internet talk-shows and writing books to front another
                amazing band. 
                 
                The "premise" of the project stems from the observation
                that "the spread of liberty has been detrimental to the
                world. Everywhere liberty goes, it leaves a path of destruction.
                Fast food, bad architecture, militarism, rampant greed, environmental
                destruction, imperial conquest, class struggle; these phenomena,
                when combined, seem to be synonymous with 'Liberty.'" Fortunately,
                these politics are delivered with a tongue-in-cheek snarkiness
                and revival tent faux-gospel so the message, while not exactly
                buried, is rather snuggled up comfortably under several quilts
                of "gettin' down." Those looking for screeds will be
                sorely disappointed, but anyone familiar with Svenonius's most
                recent work, including a Little Red Book-resembling tome of satirical
                essays on rock-and-roll-as-ethos will expect the joke. Songs
                like "Reparations," a stone-cold gospel-rock jam about
                wanting restitution from bad radio and failed institutions, is
                the perfect example of the Chain and the Gang mission: soft politics/indie
                defiance that gets sidelined by the need to get down. 
                 
                The album may receive criticism (perhaps justifiably) for its
                over-simplified arrangements and grade-school rhymes. In its
                defense, it's on K Records, the label started by Beat Happening.
                What did these critics expect? Goofy couplets are all over this
                album, and at times they do threaten to derail the enjoyment
                of Down with Liberty. But as it stands now, these lyrics operate
                as a litmus test for the listener: are you going to let innocent
                flaws get in the way of an album as fun as this? If ham-fisted
                rhymes are going to distract you from the business of backroom
                boogie, this is not the album for you. As it stands, Down
                with Liberty is a testament to relaxed good-times, unconcerned with
                what other people think. Like Beat Happening, Chain and the Gang
                are too cool for that. They, like millions of sorority girls
                before them, are content to dance like nobody's watching.  
              And
                  sandwiched in the middle of the album, "Interview with
                  the Chain Gang" stands as the band's anthem. Presented as
                  a series of phone-interviews, Svenonius slings out several verses
                  of rock and roll rhetoric over a garage-rock James Brown guitar
                  riff until he finally arrives at what could be one of my favorite
                  lyrics of all time: "What's my stance? I like to dance/And
                  smash things up when I get a chance." In that line, Svenonius
                  defines the band: good times comes first, and if someone gets
                  the half-serious references to the progressive politics beneath
                  the jam, all the better." Down with Liberty...Up with
                  Chains!              is a collection of ramshackle rock that's as inviting and personal
                  as any singer-songwriter disk released this year. But rather
                  than hammering you over the head with its message, Chain and
                  the Gang are content to simply let you come party with them,
                  knowing you'll get the joke. 
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